![]() Mori was only 20 when she and Celentano - six years her senior - were married but she had already made several films.īorn Claudia Moroni, she made her film debut in Raffaello Matarazzo’s romantic comedy Cerasella at the age of just 15 in 1959, featuring as the title character opposite Mario Girotti, the actor who would later change his name to Terence Hill and become famous as the parish priest Don Matteo in the long-running television series of the same name. The two were married the following year at the Church of San Francesco in Grosseto in Tuscany, having kept their intentions secret to avoid publicity. She and Celentano met in 1963 on the set of Uno strano tipo (A Strange Type) a comedy film in which they were both starring. The actress, singer and later television producer Claudia Mori, married for more than half a century to Italy’s all-time biggest-selling recording artist, Adriano Celentano, was born on this day in 1944 in Rome. ![]() Rugantino, who is unjustly blamed for the crime, chooses to climb onto the gallows as a demonstration of his love for Rosina and to prove he is a real man, and in so doing gains universal respect.Film star who married pop icon Adriano CelentanoĬlaudia Mori is half of what was at one time He secretly returns to the city, but is killed before he manages to exact his revenge. However, it doesn’t take long for the exiled man to be blinded by a jealous rage. He manages to win her over by taking advantage of the fact that Gnocco is sent into exile. In 19 th century Papal Rome, Rugantino is desperately in love with Rosina, who is married to Gnocco. Around him, the assorted cast brings its fair share of treats to the party (and to the tragic ending that always feels somewhat strange): Claudia Mori, Paolo Stoppa, Alvaro Vitali, Pippo Franco… The public responds with great enthusiasm, perhaps also because in casting Celentano the character of Rugantino takes on a more universal connotation. ![]() Nonetheless, he superbly manages to overcome this obstacle: Celentano goes wild, chatting a lot and moving nervously, unveiling the stunning naturalness of his singing and dancing, giving life to a very lively and entertaining film. There is, however, one problem: Celentano has many virtues, but he definitely isn’t a born and bred Roman. ![]() For his lead man he chooses Adriano Celentano, who has by now decided to fully launch himself into his cinematic career, for a role characterised by boastfulness and charisma. One of its authors was Pasquale Festa Campanile, who, a decade later, takes charge of adapting the musical for the big screen. The popular Roman theatrical character of Rugantino, “the tough guy of Trastevere, quick with the tongue and with the knife”, found resounding international success at the beginning of the 1960s with Garinei and Giovannini’s musical comedy which, amongst other things, was sold out for the entirety of its three-week run on Broadway. Rugantino, the traditional Roman theatrical character, quick with the tongue and with the knife, becomes universalĪdriano Celentano goes wild, singing, dancing and chatting with extraordinary spontaneity
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